Born 1983 in Cardiff, Wales
Lives and works in Berlin and London
Selected Solo Shows
- 2024 —Preis der Nationalgalerie, Hamburger Bahnhof, Berlin
- —Half-Life, Kunstnernes Hus, Oslo
- —Workers in Song, KW Institute for Contemporary Art, Berlin
- —Workers in Song, with Billy Bultheel, Mudam, Luxembourg
- 2023 —Workers in Song, with Billy Bultheel, WIELS, Brussels
- —Workers in Song, with Billy Bultheel, Batalha, Porto
- 2022 —Internal Litter, Galerie Isabella Bortolozzi, Berlin
- 2021 —When We Were Monsters, Haus Mödrath, Räume für Kunst, Kerpen
- —Living in the Radiant Cold, Bonner Kunstverein, Bonn (live performance with Horst Ademeit and Sarah Davachi)
- —Internal Litter, EMPAC, New York
- 2020 —Alms for the Birds, Castello di Rivoli Museum of Contemporary Art, Turin
- —When We Were Monsters, Mumok, Vienna, Austria (screening with Steve Reinke)
- —Abyss Film, screening with Leslie Thornton, Tate Modern, London
- 2019 —Migratory Motor Complex, Collective, Edinburgh
- —Speed II, with Leslie Thornton, Kunsthall Malmö, Malmö, Sweden
- 2018 —Crossing, with Leslie Thornton, Secession, Vienna, Austria
- —Speed, with Leslie Thornton, Künstlerhaus Stuttgart, Germany
- —Migratory Motor Complex, Chapter Art Center, Cardiff, UK
- 2017 —Music for the Gift, Wales in Venice, Venice Biennale Venice, Italy
- —Abyss Film, with Leslie Thornton, Kestnergesellschaft, Hannover, Germany
- 2016 —CROSSING, Rodeo, London, UK
- —Radio At Night, Musée d'art contemporain de Bordeaux, Bordeaux, France
- —Requests And Antisongs, Institute of Contemporary Arts, London, UK
- —Crumb Mahogany, Bergen Kunsthall, Bergen, Norway
- 2015 —James Richards, Kunstverein München, Munich, Germany
- —Rum Sodomy And The Lash (group exhibition curated by Ed Atkins and James Richards), EDEN EDEN, Berlin, Germany
- —To Replace a Minute’s Silence with a Minute’s Applause, Whitechapel Gallery, London, UK
- 2014 —Raking Light, Cabinet, London, UK
- —Mercy Mercy Mercy (Curated By James Richards), DAAD Galerie, Berlin, Germany
- —Of Disturbance, Magician Space, Beijing, China
- —Alms For The Birds (Curated By James Richards), Cabinet, London, UK
- 2013 —The Screens, Rodeo, Istanbul, Turkey
- —If Not Always Permanently, Memorably (Curated By James Richards), Spike Island, Bristol, UK
- 2012 —James Richards, CCA Kitakyushu, Kitakyushu, Japan
- 2011 —Not Blacking Out, just Turning The Lights Off, Chisenhale Gallery, London, UK
- —James Richards, Rodeo Gallery, Istanbul, Turkey
- —An Echo Button ’performance installation with Ed Atkins and Haroon Mirza’, Performa 11, New York, USA
- 2010 —DISAMBIGUATION collaboration with Steve Reinke, Trinity Square Video, Toronto, Canada
- —Art Now with Clunie Reid, Tate Britain, London, UK
- —Infermental, collaboration with Dan Kidner and George Clark, Focal Point gallery, Sounthend-on-Sea, UK
- 2009 —Resolution, Swallow Street, London, UK
- —Call and Bluff, Tramway, Glasgow, UK
- 2008 —Naught To Sixty, ICA, London, UK
Selected Group Shows
- 2024 —Play it as it Lays, Charim Galerie, Vienna (curated by Kristian Vistrup Madsen)
- —L’opera al nero (curated by Marta Papini, Leonardo Pietropaolo, Giulia Cenci), Centro Civico e Culturale di Rittana, Rittana, Cuneo, Italy
- —Crumbling the Antiseptic Beauty, Fondation d'Entreprise Pernod Ricard
- 2023 —‘signals…here and there’ Screenings, Para.Site, Hong Kong
- —Bruno Pelassy, in Dialogue, Haus Am Waldsee, Berlin
- —Prologue to the 15th Baltic Triennial: Remain in Zero, Contemporary Art Centre, Vilnius
- —Universal Metabolism, Berlin Atonal, Kraftwerk Berlin (with Steve Reinke)
- —Tolia Astakhishvili, The First Finger (chapter II), Haus am Waldsee, Berlin
- —The First Finger, Bonner Kunstverein, Bonn
- —World Classroom: Contemporary Art through School Subjects, Mori Art Museum, Tokyo
- —signals…瞬息: signals…storms and patterns, Para.Site, Hong Kong
- 2022 —It Might Be A Mirage, West, Hague
- —Ghost 2565: Live Without Dead Time, The Jim Thompson Art Center, Bangkok
- —Songs of Cockaigne, anorak, Berlin
- —Out of Space, Julia Stoschek Foundation, Düsseldorf
- —LCMF 2022 (Sad and Ruined), Contemporary Music Festival, London
- —Penumbra, Fondazione In Between Art Film, Venice
- —La Fabrique du Nous #1: Des voix traversées, Institut D’Art Contemporain, Villeurbanne/Rhône-Alpes
- —Archiv-Salon 1: Queer Pleasure & Pain (screening/symposium), Schwules Museum, Berlin
- 2021 —The Holding Environment, Bonner Kunstverein, Bonn
- 2020 —The Botanical Mind, Camden Art Centre, London
- —Sets and Scenarios: A Day in 3 Acts, Nottingham Contemporary, Notthingham
- 2019 —Time, Forward!, V-A-C Foundation, Venice, Italy
- 2018 —Biennial of Moving Images 2018, The Centre of d'Art Contemporain Genève
- —Platforms: Collection and Commissions, Walker Art Center, Minneapolis
- —Die Stelle des Schnitts (Renée Green, Thuy-Han Nguyen-Chi, James Richards, Cosey Fanni Tutti), Kunstverein Nürnberg, Nuremberg
- —Pause: AA Bronon's Garten der Lüste, KW Institute for Contemporary Art, Berlin
- —Sixty Years, Tate Britain, London
- —21,39, curated by Vassilis Oikonomopoulos, Jeddah Arts, Saudi Arabia
- —Mapping the Invisible: Yebisu International Festival for Arts and Alternative Visions, Tokyo Photographic Art Museum, Tokyo
- —The Explorers, Part One: Lynette Yiadom-Boakye and James Richards, curated by Iwona Blazwic, V-A-C Foundation, Venice
- —Lodgers, Haus Mödrath - Räume für Kunst, Kerpen
- 2017/18 —Generation Loss. Ten Years of the Julia Stoschek Collection, Julia Stoschek Collection, Düsseldorf
- 2017 —The Mausoleum of Lovers, Galerie Isabella Bortolozzi, Berlin
- —Be Happy We Do Not Forget You, Sammlung Zander, Germany
- —Whitney Biennial, Whitney Museum of Modern Art, New York
- —Coming Out: Sexuality, Gender and Identity, Walker Art Gallery, Liverpool, UK
- —Odarodle - An imaginary their story of naturepeoples, 1535-2017, Schwules Museum*Berlin, Germany
- —Generation Loss. Ten Years of the Julia Stoschek Collection, Julia Stoschek Collection, Düsseldorf, Germany
- —Jaguars and Electric Eels, Julia Stoschek Collection, Julia Stoschek Collection, Berlin, Germany
- 2016 —Less Than Zero, Walker Arts Center, Minneapolis, USA
- —Aftermeiter, Haus Mödrath, Cologne
- —Walks, Andrew Kreps Gallery, NY
- 2015 —British Art Show 8, Touring Exhibition, UK
- 2015 —Saltwater: A Theory Of Thought forms, 14th Istanbul Biennial, Istanbul
- —Walks, Andrew Kreps, New York
- —James Richards / Moyra Davey - works in dialogue with Derek Jarman Online Exhibition, Walker Arts Center film Commissions USA
- —Safe Home, Manchester, UK
- —Ars Viva Prize 2014/15, Grazer Kunstverein, Graz, Austria
- —Ars Viva Prize 2014/15, Bonner Kunstverein, Bonn, Germany
- —Biennale of Moving Images 2015, Museum of Old and New Art, Tasmania, Australia
- 2014 —Turner Prize 2014, Tate Britain, London
- —Burning Down The House, 10th Gwangju Biennial, Gwangju, South Korea
- —Ars Viva 2014/2015, Hamburger Kunsthalle, Hamburg, Germany
- —Cut to Swipe, MoMA, New York
- —Biennial of Moving Images 2014, Centre d’Art Contemporain, Geneva
- —Looking Back: The Eighth White Columns Annual (selected by Pati Hertling), White Columns, New York
- —It happens without you, Kendall Koppe, Glasgow
- 2013 —Meanwhile ... Suddenly and Then, 12th Biennale de Lyon, Lyon
- —The Image Thought, Kamel Mennour Gallery, Paris
- —Otherwise Unexplained Fires, Malmö Konsthall, Malmö
- —The Encyclopaedic Palace, 55th Venice Biennale, Venice
- —The Long Leash, The Ister, Brussels
- —Frozen lakes, Artists Space, New York
- —Its Over There, Simone Subal Gallery, New York
- —Speculations on Anonymous materials, Kunstall Friedricianum, Kassel, Germany
- 2012 —All That Shines Ain’t No Gold, Rodeo, Istanbul
- —The Imaginary Museum, Kunstverein Munich, Munich
- —The Voice Is A Language, Screening, Tate Modern, London
- —Chase of Grace, Maria Stenfors Gallery, London
- 2011 —Circulate, FOAM, Amsterdam
- —Subjective Projections, Bielfelder Kunstverein, Wielle
- —Coming After, The Power Plant, Toronto
- —Case Histories, Alex Zachary Gallery, New York
- 2010 —Fifteen, curated by Louise Hutchinson and George Henry Longley, S1 Artspace, Sheffield
- —What is Not / New Works UK, LUX, Outpost Norwich; ARTPROJX, New York at the SVA Theatre in association with The Armory Show and Volta, New York
- —Cold War for Love. Recent British Video, curated by Ian White, 52nd Zinebi Short Film and Documentary Festival, Bilbao
- —The Voice Is A Language, curated by Isla Leaver-Yap, Tramway, Glasgow
- —Misty Boundaries Fades and Dissolves, Form Content, London
- —Psychic geography, Workplace Gallery, Gateshead
- 2009 —The Generational: Younger Than Jesus, The New Museum, New York
- —A Song For Those In Search Of What They Came With, Bellwether Gallery, New York
- —Film As A Subversive Art, LUX Project at Zoo Art Fair, London
- —Disturbing History, curated by Hanne Mugaas and Lauren Cornell, Light Industry, New York
- 2008 —Against Nature, Vegas Gallery, London
- —Light reading, No.w.here Lab, London
- 2007 —Invisible Mend, Lounge Gallery/LUX, London
- 2006 —Incidents, Matthew Bown Gallery, London
- —Paradise, Tactile Bosch Studios, Cardiff
- —New Semantics, Whitechapel Gallery, London
Selected film programming
- 2013 —Stedelijk | Film - James Richards, Stedelijk Museum, Amsterdam
- —Infermental No.4, Light Industry, New York
- 2012 —Surface Tension, Serpentine Memory Marathon, London
- —Works From The Experimental T.V Center Archives. Selected by James Richards and Steven Cairns, ICA, London
- 2010 —About Time, works by Steve Reich, Charlemagne Palestine, Gunvar Nelson and Jim Shaw, Park Nights, Serpentine Galleries, London
- —The NDP Exchange Programme, Migrating Forms Festival, Anthology Film Archive, New York
- 2009 —Photography Is Easy. Selected videos of Leslie Thornton’, Form Content, London; Tramway, Glasgow
- —Mouth Room, Light Industry, New York
- 2007 —Devotion, LUX, London and Basso, Berlin
Curatorial projects
- 2024 —Novel Pleasure, Bonner Kunstverein, Bonn (with Fatima Hellberg)
- 2018 —Libidinal Motion/Diary of an Innocent, Delmes&Zander, Cologne
- —Ache, Cabinet, London
- —A Slight Ache (curated by James Richards), Chapter Art Center, Cardiff
- 2015 —Rum, Sodomy and the Lash (with Ed Atkins), Galerie Isabella Bortolozzi, Eden Eden, Berlin
- 2014 —Mercy Mercy Mercy, Video Programme, DAAD Galerie, Berlin
- —Alms For The Birds, Cabinet, London
- 2013 —If Not Always Permanently, Memorably, Spike Island, Bristol
- —stedelijkIfilm: James Richards, Stedelijk Museum, Amsterdam
- —Infermental No.4’, Introduction, Light Industry, New York
- 2010 —Park Nights: James Richards' About Time, Serpentine Pavilion, London
- —Infermental, with Dan Kidner and George Clark, Focal Point Gallery, Southend On Sea