Born 1980 in the UK
Lives and works in Farnham, Surrey, UK
Selected Solo and Duo Exhibitions
- 2024 —Aaaahhh!, Galerie Fons Welters, Amsterdam
- 2023 —Feux d’artifice / Burnout, Lafayette Anticipations, Paris
- 2022 —Baby, you’re a firework, O-Town House, Los Angeles
- —AD U ETTE, with Adam Stamp, Galerie Mascota, Mexico City (hosting O-Town House LA)
- —Farnham to Floresville: and elsewhere that invalidates here, Lasting Concept, Floresville
- 2021 —The Vleeshall Opera, Dorothy Iannone & Juliette Blightman, Vleeshal Center for Contemporary Art, Middleburg
- 2020 —THE KÖLN CONCERT : Dorothy Iannone and Juliette Blightman, Kölnischer Kunstverein,
Cologne
- —Prologue: Juliette Blightman and Dorothy Iannone, Arcadia Missa, London
- —A Carpet for Your Somersaults, Galerie Fons Welters, Amsterdam
- 2019 —Femme Maison, Felix Gaudlitz, Vienna
- —This One’s For You, Maureen Paley, London (Condo London hosting Felix Gaudlitz)
- 2018 —Relations, O-Town House, Los Angeles
- —Juliette Blightman/Ellie Epp, going to go out now, Western Front, Vancouver
- 2017 —Nightshift, Fine Arts, Sydney
- —Loved an Image, Galerie Fons Welters, Amsterdam
- 2016 —Extimacy, Kunsthalle Bern
- —Portraits and Repetition, South London Gallery, London
- —Juliette Blightman/Josef Kramhöller, JAZZ BAR, Munich
- —Collective Nouns und Time and Death (some say sex), Gesellschaft für Moderne Kunst at Art Cologne, Cologne
- 2015 —When will you come, invited by Freudenberger, Vienna
- —Distant Intimacies, Pied-à-terre, San Francisco
- —Juliette Blightman/Ellie Epp, ‘holding one’s own in an unfinished system’, Badischer Kunstverein, Karlsruhe
- —Come inside, bitte, Eden Eden, Berlin
- —Eden Eden Eden, Karma International, Los Angeles
- 2014 —Juliette Blightman/Gerry Bibby, Kunsthaus Bregenz
- 2011 —The World is full without you, 4D, Berlin
- —I hope one day soon you’ll come and visit me here, Galerie Isabella Bortolozzi, Berlin
- —A Year With No Head, International Project Space Bournville, Birmingham
- 2010 —Paradise Lost, Dirk Bell/Juliette Blightman, Kunstverein Arnsberg, Nordrhein-Westfalen
- —While I was telling my story, I noticed that a silence fell on the table, Liste 15, Basel
- —the day grew dark, Künstlerhaus Stuttgart
- —the day grew darker still, Process Room, Irish Museum of Modern Art, Dublin
- —an hour, Michael Benevento, Los Angeles
- 2009 —mirrors would do well to reflect more before sending back images, Hotel, London
- 2008 —so much better than last year, Galerie Giti Nourbakhsch, Berlin
- —Do you like the Ice Cream man?, nine things gallery, Frankfurt
- 2007 —at midnight, which is 1am, although it is midnight again, Michael Lett, Auckland
- —as a period in which nothing happens, Whitechapel Project Space, London
Group Exhibitions
- 2024 —Resilience, Cultuurcentrum Strombeek, Grimbergen
- —View, dépendance, Brussels
- 2023 —Time frame, Museion Bolzano
- 2022 —The exhibition formerly known as ‘trace image’, Deborah Schamoni, Munich, Germany (hosting O-Town House LA)
- —Fine Arts, Sydney in Auckland, Hosted by Michael Lett, Auckland
- —Fugue, Galerie Isabella Bortolozzi, Berlin
- —Call Me, galeriepcp, Paris
- 2021 —Still Time, Fitzpatrick Gallery, Paris
- —The Botanical Revolution, Centraal Museum, Utrecht
- —Pathalogically Social, O-Town House, Los Angeles
- 2020 —Wagnis der Öffentlichkeit, Halle für Kunst, Lüneburg
- —Reverie, Efremidis, Berlin
- 2019 —Ribbons with Realism, Kunstverein Harburger Bahnhof, Hamburg
- 2018 —The Line Up: The Power of Drawing, Centraal Museum Utrecht, Utrecht
- —Oh that I had a thousand tongues, curated by Nikola Dietrich, Cultural Foundation of Tinos, Tinos
- —PARADISE NOW. Palmtrees in Art, Salon Dahlmann, Berlin
- —A Matter of Printing, Supportive Lopez, Berlin
- —Sancho Panza (invited by Veit Laurent Kurz), Oracle, Berlin
- 2017 —Zur Rebschänke, Weiss Falk, Basel
- —Made in Germany Drei, Kestner Gesellschaft, Hannover
- —Hütti, Ludlow 38, New York
- —Der Verdienst. 2014 - 2017, Oracle, Berlin
- —Fleming Faloon, Office Baroque, Brussels
- —Year Of The Monkey, Galerie Emanuel Layr, Rome
- 2016 —A Month of Sundays, Taylor Macklin, Zurich
- —The Tale That All But Shapes Itself, Greene Naftali Gallery, New York
- —As if in a foreign country, Galerie nächst St.Stephen Rosemarie Schwarzwälder, Vienna
- —A Change of Heart, Hannah Hoffman Gallery, Los Angeles
- —Pierre Guyotat, Galerie Azzedine Alaïa, Paris
- 2015 —2035, Forde, Geneva
- —Transparenzen, Kunstverein Nürnberg, Nürnberg
- —Transparenzen, Bielefelder Kunstverein, Bielefeld
- —Tina, Spike, Berlin
- —Quattro Stagioni, Fürstenberg Zeitgenössisch, Donaueschingen
- —The Cipher and the Frame, Cubitt, London
- —Impossible Love, curated by Vincent Honoré, Projektraum Viktor Bucher, Vienna
- 2014 —@ the shrink, curated by Simon Dybbroe Møller, Shanaynay, Paris
- —Who Are Who, curated by Tenzing Barshee, Studio for Propositional Cinema, Düsseldorf
- —The Library Vaccine, Artists Space, New York
- —Europe, Europe, Astrup Fearnley Museet, Oslo
- —The Influence of Furniture on Love, Wysing Arts Centre, Cambridge
- —Interior, Modern Art, London
- —...Revelry, Kunsthalle Bern
- —The Registry of Promise: The Promise of Multiple Temporalities, Parc St. Léger, Pougues-les-Eaux
- 2013 —all those, too, who are sustained by the alternative hopes, The Handler of Gravity, Essex St, New York
- —Interiors, Lulu, Mexico City
- —Girls Can Tell, Gesellschaft für Aktuelle Kunst, Bremen
- —Kappen, HardHat, Geneva
- —Drawing Biennal 2013, Drawing Room, London
- —Les Aventures d’Arthur, Odile et Franz, CNEAI, Chatou
- —In Form Express and Admirable (in a sense lying, in a sense not), Camberwell Space, London
- —I am an object who knows himself to be seen, Künstlerhaus Bethanien, Berlin
- —Orpheus Twice, David Roberts Art Foundation, London
- —Shortcuts & Digressions, Norwich Castle, Norwich
- 2012 —The New Public, Museion of Modern and Contemporary Art, Bolzano
- —From A to B, CCA AndratX, Andratx
- —The Big Inexplicable Paravent Illusion (PT.1), Isabella Bortolozzi Galerie, Berlin
- 2011 —nobody, not even the rain, has such small hands, RaebervonStenglin, Zurich
- —Histoires de votre vie, Office Baroque, Antwerp
- —Based in Berlin, Hamburger Bahnhof, Berlin
- —How to Work, Kunsthalle Basel, Basel
- —How To Work (more for) less, Kunsthalle Basel, Basel
- —British Art Show 7 - In the days of the comet, Hayward Gallery, touring various venues across the UK
- —at least you haven't changed, Hotel gallery London
- —British Art Show 7, In the days of the comet Various venues across the UK
- 2010 —Paradise Lost, Dirk Bell/Juliette Blightman, Kunstverein Arnsberg, Arnsberg
- —One Fine Morning in May, GAK Bremen
- —Under One Umbrella, Bergen Kunsthall, Bergen
- —This World is Not My Home, Galerie Zero , Milan
- 2009 —The House of Wonder, Mehringdamm 72, Berlin
- —Mixed Double: Juliette Blightman and Kirsten Pieroth, Silberkuppe, Berlin
- —7 x 14 Silberkuppe in Kur, Silberkuppe at Staatliche Kunsthalle Baden-Baden
- 2008 —Parade, Parade, London
- —schlafen gut, film program by Starship Magazine, various venues in Vienna, Paris, Zurich, New York and Berlin
- —Bartenstein, Schloss Bartenstein, Schrozberg
- —Badcamp 888, Badstr 66, Berlin
- —Nought to Sixty, ICA, London
- —Think Again, Rachmaninoff, London
- —Trypanosome Juliette Blightman and Margarita Bofiliou, k44, Athens
- —Worpswelten, Kunstverein Göttingen
- —Martin Kausche Ateliers, Worpswede
- —more love now, Basso, Berlin
- 2007 —No Room for the Groom, Herald St, London
- —We stopped in the Colonnade, Hotel Gallery London
- —Xerox Teens, with Anthony Silvester, Music Video
- —This is the Love of These, Magazin4, Bregenz
- —What Is It?, Wysing Arts Centre, Cambridge
- 2006 —Cabin Baggage, Satellites, Tanya Bonakdar, New York
- —Direct Currency Exchange, artLedge, Chicago
- —Magazine, ESW, Edinburgh
- —The Glass Bead Game, Vilma Gold Project Space, Berlin
- —Another Product, The Cornerhouse, Manchester
- —Either taking it out or putting it in, White Cubicle, George and Dragon Public House, London
- —Hotel Art Series, Carlton, Munich, Locanda Ca' Foscari, Venice, East Side City Hotel, Berlin
- 2005 —all the properties of a thing, Stable, London
- —Istanbul Airport Project with Sebastian Craig, Istanbul
- —BYO Resource, i-cabin, London
- 2004 —MooFest, curated concert with Xerox Teens and Independent Yellow Hoover, Athens
- 2003 —Tart's Eggs, Old Nylon Space, London
Selected Screenings, Performances and Readings
- 2024 —Juliette Blightman, Hierarchies (Haute Couture A/W 24/25), Basel Social Club, Basel
- 2023 —Once more... with feeling, Haus am Waldsee, Berlin, Germany
- —Lafayette Anticipations, Paris, France
- 2022 —Once more ... with feeling, The Performance Agency, Basel Social Club, Basel
- —Upstairs in Cookie’s Room, The Performance Agency, MASS PLAY I, Paris
- 2021 —Sleep Club, ive performance with Anthony Silvester, Vleeshal, Middelburg
- —Upstairs in Cookies Room, Another Map To Nevada, The Performance Agency, with music by Anthony Silvester, Copenhagen
- —Modern Lovers, online screening with Dorothy Iannone, Könischer Kunstverein, Cologne
- 2020 —Juliette Blightman & Lily McMenamy Hounds of Love, Kölnischer Kunstverein, Cologne
- —Boundaries (for your dance), with music by Anthony Silvester, Fridericianum, Kassel
- —Another Map To Nevada, with music by Anthony Silvester, Berlin
- 2019 —Propinquity (killing time), Kunstverein Harburger Bahnhof, Hamburg (screening with live introduction)
- —Year of the Pig, Kölnischer Kunstverein, Cologne, a performance lecture followed by a runway show No Opening SS 2020 Collection with music by Anthony Silvester
- 2018 —Propinquity (killing time), Artists’ Film Club, ICA London (screening with live voiceover)
- —Between Points, Archivo Conz, Berlin
- —Hidden Bar, ArtBasel, Basel
- 2017 —Reading of The Berlin Film Festival, 1981, Cookie Müller, Studio Voltaire, London
- —Year of the Cock, Between Bridges, Berlin
- 2016 —Now, Soon, Wait, Per4m, Artissima ArtFair, Turin Italy
- —Nightshift’, Schinkel Pavilion (invited by Calla Henkel and Max Pitegoff), Berlin
- 2015 —Nightshift, Forde, Geneva
- —Push Comes to Love, with Heatsick, Kunstakademie Düsseldorf
- —Push Comes to Love, Paris Internationale, Paris
- 2014 —Reading by Juliette Blightman with contributions by Pablo Larios, Pippin Wigglesworth-Weider, Skye Chamberlain, Kölnischer Kunstverein, Cologne
- —Spills, Juliette Blightman/Yael Salomonowitz, New Theatre, Berlin
- —Units of Attention, Juliette Blightman/Robin Watkins, Flattime House, London
- —Blow Job, Kunsthaus Bregenz, Austria
- 2013 —Between Acts, an evening of Performances, David Roberts Foundation, London
- —Autumn/Winter Collection 2013’, Elaine, Basel
- 2012 —After all nothing changes but the weather - time after time after time, part of: Bitte Danke, a project by Dirk Bell, Pavillon der Volksbühne, Berlin
- —Inside and outside cannot simply be separated (The Kreutzer Sonata), Loos, Beethoven and Tolstoy, no readmittance series, performative lecture, Weißensee Kunsthochschule, Berlin
- 2011 —Death Dies, Performance with Anthony Silvester, Thinking Through Cinema (Lux), Tramway, Glasgow
- —If I had two heads, no readmittance series, performative lecture, Based in Berlin, Monbijou Park, Berlin
- —Es gibt Stille un Stille, performative lecture, PINothek Atelier Munich
- —We Love You, no readmittance series, performative lecture, British Art Show, St Paul’s Pavilion, London
- 2010 —Death Dies (Christmas Version), performance with Anthony Silvester, Hotel, London
- —Death Dies, performance with Anthony Silvester, Thinking Through Cinema (Lux), Artissima 7, Turin
- —the day grew dark, no readmittance series, featuring Josef Strau, Chantal Akerman, Axel J Wieder and New Order, performative lecture, Künstlerhaus Stuttgart
- —the day grew darker still, no readmittance series, Lecture Room, performative lecture, Irish Museum of Modern Art, Dublin
- 2009 —Broken English, no readmittance series, performative lecture, Weißensee Kunsthochschule, Berlin
- —I can hear the grass grow, no readmittance series, performative lecture, Temporäre Kunsthalle Berlin
- —the future event cannot be focussed, no readmittance series, performative lecture, Hotel, London
- —songs without words, no readmittance series, performative lecture, Royal College of Art, London
- 2008 —Lieber den Spatz in der Hand, als die Taube auf dem Dach, DJ Set, 1h, Worpswede goes Poodle, Golden Pudel Club, Hamburg